Publications

2015
[98]Residual Orchestras: Notes On Low Profile, Automated Sound Instruments (VALLE A.), In The Virtuous Circle. Design Culture and Experimentation. Prooceedings of the Cumulus Conference, Milano 2015, McGraw-Hill Education, 2015. [bibtex]
[97]Introduzione a SuperCollider (VALLE A.), Maggioli Editore, 2015. [bibtex]
[96]Towards a Semiotics of the Audible (VALLE A.), In SIGNATA, volume 6, 2015. [bibtex]
2014
[95]The Gate Modulator. An experiment in digitally-controlled analog synthesis (VALLE A., Simone Pappalardo), In Musiche liquide - Liquid Music Proceedings XX COLLOQUIO DI INFORMATICA MUSICALE 20TH COLLOQUIUM ON MUSIC INFORMATICS, Università Iuav di Venezia, 2014. [bibtex]
[94]SoundScapeGenerator: soundscape modelling and simulation (Marinos Koutsomichalis, VALLE A.), In Musiche liquide - Liquid Music Proceedings XX COLLOQUIO DI INFORMATICA MUSICALE 20TH COLLOQUIUM ON MUSIC INFORMATICS, Università Iuav di Venezia, 2014. [bibtex]
[93]SoDA: A Sound Design Accelerator for the automatic generation of soundscapes from an ontologically annotated sound library (VALLE A., Paolo Armao, Matteo Casu, Marinos Koustomichalis), In Proceedings ICMC|SMC|2014. Music technology meets philosophy: from digital echos to virtual ethos, ICMA, SMC, The National and Kapodistrian Universit, 2014. [bibtex]
[92]Permutation synthesis (GIACOMO VALENTI, VALLE A., ANTONIO SERVETTI), In Musiche liquide - Liquid Music Proceedings XX COLLOQUIO DI INFORMATICA MUSICALE 20TH COLLOQUIUM ON MUSIC INFORMATICS, Università Iuav di Venezia, 2014. [bibtex]
[91]SoDA: A Sound Design Accelerator for the automatic generation of soundscapes from an ontologically annotated sound library (VALLE A., Paolo Armao, Matteo Casu, Marinos Koustomichalis), In Proceedings ICMC|SMC|2014. Music technology meets philosophy: from digital echos to virtual ethos, ICMA, SMC, The National and Kapodistrian Universit, 2014. [bibtex]
[90] Imaginary soundscapes: the SoDA project (Matteo Casu, Marinos Koutsomichalis, VALLE A.), In AM '14 Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound, ACM, 2014. [bibtex] [pdf] [doi]
[89] Audio e multimedia (Vincenzo Lombardo, VALLE A.), Maggioli spa, 2014. [bibtex] [pdf] [doi]
[88]Digital Creativity. A Survey for the Project Invisibilia (Antonio Pizzo, VALLE A.), In MIMESIS JOURNAL, volume 3, 2014. [bibtex]
2013
[87]Towards a semiotic framework for programming languages (VALLE A., Alessandro Mazzei), In Book of abstracts of HaPoC 2013, 2013. [bibtex]
[86]Un progetto di simulazione del paesaggio sonoro: il Mercato di Porta Palazzo a Torino (VALLE A.), In STUDI CULTURALI, volume x, 2013. [bibtex]
[85] Feedback Systems: An Analytical Framework (VALLE A., Sanfilippo Dario), In COMPUTER MUSIC JOURNAL, volume 37, 2013. [bibtex] [pdf] [doi]
[84] Laura Zattra: Studiare La Computer Music: Definizioni, Analisi, Fonti (VALLE A.), In COMPUTER MUSIC JOURNAL, volume 37, 2013. [bibtex] [pdf] [doi]
[83] Making Acoustic Computer Music: The Rumentarium project (VALLE A.), In ORGANISED SOUND, volume 18, 2013. [bibtex] [pdf] [doi]
[82] Laura Zattra: Studiare La Computer Music: Definizioni, Analisi, Fonti (VALLE A.), In COMPUTER MUSIC JOURNAL, volume 37, 2013. [bibtex] [pdf] [doi]
[81]Un progetto di simulazione del paesaggio sonoro: il Mercato di Porta Palazzo a Torino (VALLE A.), In STUDI CULTURALI, volume x, 2013. [bibtex]
[80] Making Acoustic Computer Music: The Rumentarium project (VALLE A.), In ORGANISED SOUND, volume 18, 2013. [bibtex] [pdf] [doi]
[79]Scripta volant (VALLE A.), 2013. [bibtex]
[78]Cinèfono (VALLE A., Alessandro Amaducci), 2013. [bibtex]
[77]Scripta volant (VALLE A.), 2013. [bibtex]
[76] Feedback Systems: An Analytical Framework (VALLE A.), In COMPUTER MUSIC JOURNAL, volume 37, 2013. [bibtex] [pdf] [doi]
[75]Note preliminari su alcune forme della soggettivita nei linguaggi di programmazione (VALLE A., Alessandro Mazzei), In E/C, volume 15-16, 2013. [bibtex]
2012
[74]A sound programming strategy to survive to a complex multimedia setup (VALLE A.), In Sinestesie sonore - Sonic Synesthesia, DADI - Dip. Arti e Design Industriale Università, 2012. [bibtex]
[73]A sound programming strategy to survive to a complex multimedia setup (VALLE A.), In Sinestesie sonore - Sonic Synesthesia, DADI - Dip. Arti e Design Industriale Università I, 2012. [bibtex]
[72]Machina logotelica (VALLE A.), 2012. [bibtex]
[71]Acta GeoGraphica (2001-2007) (VALLE A.), 2012. (released 31 May 2012, Ripples Records) [bibtex]
[70]Machina logotelica (VALLE A.), 2012. [bibtex]
[69]Organo fonatorio (VALLE A.), 2012. [bibtex]
[68]Acta GeoGraphica (2001-2007) (VALLE A.), 2012. [bibtex]
[67] Imagine Math. Between Culture and Mathematics (VALLE A.), Chapter in All the Numbers End in Numbers. On a Work by Alighiero Boetti, Springer-Verlag Italia, 2012. [bibtex] [pdf] [doi]
[66]Organo fonatorio (VALLE A.), 2012. [bibtex]
[65] Integrating Sound Design and Music Composition in the Interactive Play Cotrone by Marcel·lí Antúnez Roca (VALLE A., Paolo Armao), In THE NEW SOUNDTRACK, volume 2, 2012. [bibtex] [pdf] [doi]
[64] Integrating Sound Design and Music Composition in the Interactive Play Cotrone by Marcel·lí Antúnez Roca (VALLE A., Paolo Armao), In THE NEW SOUNDTRACK, volume 2, 2012. [bibtex] [pdf] [doi]
[63]Enore Zaffiri: l'esperienza storica della musica elettronica a Torino. Giornate di studi: 27/28 Marzo 2012 (Stefano Bassanese, VALLE A.), 2012. [bibtex]
[62]Enore Zaffiri: l'esperienza storica della musica elettronica a Torino. Giornate di studi: 27/28 Marzo 2012 (Stefano Bassanese, VALLE A.), 2012. [bibtex]
[61]Pseudo (Marcel·lí Antúnez Roca, VALLE A.), 2012. [bibtex]
[60]Pseudo (Marcel·lí Antúnez Roca, VALLE A.), 2012. [bibtex]
[59]Heterogeneously-coupled feedback systems: the |. (Bar Dot) project (D. Sanfilippo, VALLE A.), In Proceedings of the International Computer Music Conference, ICMA-IRZU, 2012. [bibtex]
[58]Towards a typology of feedback systems (D. Sanfilippo, VALLE A.), In Proceedings of the International Computer Music Conference, ICMA-IRZU, 2012. (ICMC12 Best Paper Award) [bibtex]
[57]Heterogeneously-coupled feedback systems: the |. (Bar Dot) project (D. Sanfilippo, VALLE A.), In Proceedings of the International Computer Music Conference, ICMA-IRZU, 2012. [bibtex]
[56]Towards a typology of feedback systems (D. Sanfilippo, VALLE A.), In Proceedings of the International Computer Music Conference, ICMA-IRZU, 2012. [bibtex]
2011
[55]Simulation of a soundscape using an analysis/resynthesis model (Amedeo Casella, VALLE A.), In Atti del XVIII CIM - Colloquio di Informatica Musicale, DADI - Dip. Arti e Design Industriale. Università, 2011. [bibtex]
[54]Audio Physical Computing (VALLE A.), In Proceedings of SMC Conference 2011, SMCNetwork, 2011. [bibtex]
[53]e-Zampognë. A southern-Italian bagpipe controller (Carlo Massarelli, VALLE A.), In Atti del XVIII CIM - Colloquio di Informatica Musicale, DADI - Dip. Arti e Design Industriale. Università, 2011. [bibtex]
[52]Audio Physical Computing (VALLE A.), In Proceedings of SMC Conference 2011, SMCNetwork, 2011. [bibtex]
[51]Rumentario autoedule (VALLE A.), 2011. [bibtex]
[50]Live writing with the Rumentarium (VALLE A.), 2011. [bibtex]
[49]Cotrone (VALLE A.), Chapter in La musica: modi di un primitivismo computazionale, Bonanno, 2011. [bibtex]
[48]Senti che bel rumore (VALLE A.), Chapter in Dispacci dal tetto, Accademia University Press, 2011. [bibtex]
[47]Senti che bel rumore (VALLE A.), Chapter in Dispacci dal tetto, Accademia University Press, 2011. [bibtex]
[46]C’era (ancora) una volta il West. Note a partire dal suono in una sequenza celeberrima (VALLE A.), In LA VALLE DELL'EDEN, volume 25-26, 2011. [bibtex]
[45]Prossime distanze. Atti del XVIII CIM - Colloquio di Informatica Musicale, (VALLE A., Stefano Bassanese, eds.), DADI - Dip. Arti e Design Industriale. Università, 2011. [bibtex]
[44]Arsenale delle Apparizioni (VALLE A.), 2011. [bibtex]
[43]MAR, ambiente immersivo sensoriale: Sound Design (VALLE A., Paolo Armao), 2011. [bibtex]
[42] Recensione di Márta Grabócz Musique, narrativité, signification (VALLE A.), In LEXIA, volume 9-10, 2011. [bibtex] [pdf] [doi]
[41]"A Strong Wind Indeed". Notes on Ingmar Bergman's Vargtimmen (VALLE A.), In NORTH WEST PASSAGE, volume 8, 2011. [bibtex]
[40]The SuperCollider Book (Stefan Kersten, Vincenzo Lombardo, Fabrizio Nunnari, VALLE A.), Chapter in A Binaural Simulation of Varèse's Poéme électronique, The MIT Press, 2011. [bibtex]
[39]Suono/immagine/genere (Luca Canova, VALLE A.), Chapter in Esordio dell’orrore. Sull’udibile in alcuni horror talkies della Universal, Kaplan, 2011. [bibtex]
[38]SUONO/IMMAGINE/GENERE, (Ilario Meandri, VALLE A., eds.), Kaplan, 2011. [bibtex]
[37]La Valle dell’Eden, (Ilario Meandri, VALLE A., eds.), Attuale: - Edizioni Kaplan Via Saluzzo, 42 bis 101, volume 25-26, 2011. [bibtex]
[36]Suono/Immagine/Genere (Ilario Meandri, VALLE A.), Chapter in Premessa, Attuale: - Edizioni Kaplan Via Saluzzo, 42 bis 101, 2011. [bibtex]
[35]Suono/Immagine/Genere (Ilario Meandri, VALLE A.), Chapter in Premessa, Attuale: - Edizioni Kaplan Via Saluzzo, 42 bis 101, 2011. [bibtex]
[34]Tracce di metadiscorsività nel cinema moderno. Gli sguardi in macchina tra metacinema e autobiografismo (Ilario Meandri, VALLE A.), In LA VALLE DELL'EDEN, volume 25-26, 2011. [bibtex]
[33]«LA VALLE DELL'EDEN» n. 25-26 DOSSIER SUONO E IMMAGINE (ISSN 1970-6391), (I. MEANDRI, VALLE A., eds.), Edizioni Kaplan, 2011. [bibtex]
[32]«LA VALLE DELL'EDEN» n. 25-26 DOSSIER SUONO E IMMAGINE (ISSN 1970-6391), (I. MEANDRI, VALLE A., eds.), Edizioni Kaplan, 2011. [bibtex]
[31]Suono e Immagine (I. MEANDRI, VALLE A.), 2011. [bibtex]
[30]Suono e Immagine (I. MEANDRI, VALLE A.), 2011. [bibtex]
2010
[29] The Rumentarium Project (VALLE A.), In Proceedings of the international conference on Multimedia, ACM, 2010. [bibtex] [pdf] [doi]
[28]In a concrete space. Reconstructing the spatialization of Iannis Xenakis' Concret PH on a multichannel setup (VALLE A., Kees Tazelaar, Vincenzo Lombardo), In smc 2010 7th Sound and Music Computing Conference PROCEEDINGS, SMC, 2010. [bibtex]
[27]Analisi delle culture – Culture dell’analisi, Analysis of Cultures – Cultures of Analysis, monographic issue of Lexia, 5-6. (VALLE A.), 2010. [bibtex]
[26]XVIII CIM - Colloquio di Informatica Musicale (VALLE A., Stefano Bassanese), 2010. [bibtex]
[25]Virtual Electronic Poems. Suoni e immagini nello spazio virtuale del Padiglione Philips (VALLE A., Vincenzo Lombardo, Fabrizio Nunnari, Paolo Armao), 2010. [bibtex]
[24]Auditory Display (VALLE A., Vincenzo Lombardo, Mattia Schirosa), Chapter in Simulating the Soundscape through an Analysis/Resynthesis Methodology, Springer, volume 5954, 2010. [bibtex]
[23] Environmental Sound Synthesis, Processing, and Retrieval (VALLE A.), In EURASIP JOURNAL ON AUDIO, SPEECH, AND MUSIC PROCESSING, volume 2010, 2010. [bibtex] [pdf] [doi]
[22] Environmental Sound Synthesis, Processing, and Retrieval (VALLE A.), In EURASIP JOURNAL ON AUDIO, SPEECH, AND MUSIC PROCESSING, volume 2010, 2010. [bibtex] [pdf] [doi]
[21]VEP - Virtual Electronic Poem (V. Lombardo, F. Nunnari, VALLE A., H. Vogel, A. Arghinenti, F. Giordana, K. Tazelaar, R. Dobson, J. Fitch, S. Benser, S. Weinzierl, P. Armao, W. Borczyk, S. Niedbała, W. Pytlik., J. Padget, R. Starosolski), 2010. [bibtex]
[20]Cotrone Officine Sintetiche Production (Marcel lì Antunez Roca, Antonio Pizzo, Pere Vilar Barcelò, VALLE A.), 2010. [bibtex]
[19] Environmental Sound Synthesis, Processing, and Retrieval, (Harvey Thornburg, Stefania Serafin, VALLE A., eds.), SPRINGER, volume 2010, 2010. [bibtex] [pdf] [doi]
[18]Cabina Canopo - Booth Canopus (Antonio Pizzo, VALLE A., Alessandro Amaducci), 2010. [bibtex]
[17]Hopeful Monster (AMP2-Gandolfo Pagano, Dario Sanfilippo, Domenico Sciajno, Antonino Secchia, VALLE A.), 2010. [bibtex]
2009
[16]A Framework for Soundscape Analysis And Re-synthesis (VALLE A., Mattia Schirosa, Vincenzo Lombardo), In Proceedings of the SMC 2009 - 6th Sound and Music Computing Conference, SMC, 2009. [bibtex]
[15]A Framework for Soundscape Analysis And Re-synthesis (VALLE A., Mattia Schirosa, Vincenzo Lombardo), In Proceedings of the SMC 2009 - 6th Sound and Music Computing Conference, SMC, 2009. [bibtex]
[14] Tabula ex-cambio (Vincenzo Lombardo, VALLE A., Fabrizio Nunnari), In Proceedings of the seventeen ACM international conference on Multimedia, ACM, 2009. [bibtex] [pdf] [doi]
[13]A Graph-based System for the Dynamic Generation of Soundscapes (VALLE A., Vincenzo Lombardo, Mattia Schirosa), In Proceedings of the 15th International Conference on Auditory Display, ICAD, 2009. [bibtex]
[12] Tabula ex-cambio (Vincenzo Lombardo, VALLE A., Fabrizio Nunnari), In Proceedings of the seventeen ACM international conference on Multimedia, ACM, 2009. [bibtex] [pdf] [doi]
[11]SID - Sonic Interaction Design, Working Group 2 (Álvaro Barbosa, Flemming Christensen, Andrew Diey, Cumhur Erkut, Mikael Fernstrom, Sandra Pauletto, Davide Rocchesso, Stefania Serafin (WG chair), Vesa Valimaki, Michal Rinott, VALLE A., Daniel Hug), 2009. [bibtex]
[10] A Virtual-Reality Reconstruction of Poème Électronique Based on Philological Research (Vincenzo Lombardo, VALLE A., John Fitch, Kees Tazelaar, Stefan Weinzierl, Wojciech Borczyk), In COMPUTER MUSIC JOURNAL, volume 33, 2009. [bibtex] [pdf] [doi]
[9]Notations 21 (VALLE A.), Chapter in I 6 nodi, Mark Batty Publisher, 2009. (Collection of musical notations and relative notes) [bibtex]
[8]Parole nell'aria. Sincretismi fra musica e altri linguaggi (VALLE A.), Chapter in Corpofonie macchinali. Note sul “suonare un computer”, ETS, 2009. [bibtex]
[7]Notations 21 (VALLE A.), Chapter in I 6 nodi, Mark Batty Publisher, 2009. [bibtex]
[6]Buongiorno Dottò, vi ho portato una fotografia... (VALLE A.), In LA VALLE DELL'EDEN, volume XI, 22, 2009. [bibtex]
[5]Buongiorno Dottò, vi ho portato una fotografia... (VALLE A.), In LA VALLE DELL'EDEN, volume XI, 22, 2009. [bibtex]
[4]Lexia. Rivista di Semiotica. 3-4. ATTANTI, ATTORI, AGENTI Senso dell'azione e azione del senso. Dalle teorie ai territori (VALLE A.), 2009. [bibtex]
[3]Alcune note su (a partire da) IRradio (VALLE A., Valerio Sannicandro), In SUONO SONDA, volume 7, 2009. [bibtex]
[2]"Mettre au monde le monde". Sur la relation entre sémiotique de la production et production sémiotique (VALLE A.), In NOUVEAUX ACTES SÉMIOTIQUES, volume -, 2009. [bibtex]
[1]Tendere l'orecchio. Perlustrazioni semiotiche sul displaying a partire dall'udibile (Giacomo Festi, VALLE A.), In VISIBLE, volume 5, 2009. [bibtex]

No Comments

Sorry, the comment form is closed at this time.

Live at StudiumLab, 07102017

Minute di cronometria, Live

We opened our new lab at the Department of Humanities (StudiUm) with a concert dedicated to improvisation, called Macchine all’impronta. Great friends musicians participated and we did two of my pieces, Annuario telefonico (with Federico Marchesano, Stefano Risso, Luca Morino and Francesco Bianchi) and Minute di cronometria (with Carlo Barbagallo, Dario Bruna, Amos Cappuccio playing my electromechanical percussion setup, special guest Simone Pappalardo and Jean-François Laporte).
Impressive 360 video by Stefano Sburlati (do not open with Safari) here.

Minute di cronometria, Live

At SMC 2017

After some years, I’m back at the Sound and Music Computing Conference, 14th ed, 2017, in Espoo. Presenting two papers, both available on line in the proceedings: Systema Naturae: shared practices between physical computing and algorithmic composition, with Mauro Lanza, and Electric Grammars. Algorithmic Design and Construction of Experimental Music Circuits, with Simone Pappalardo

An essay on Umberto Eco

Umberto Eco

I’m very proud that my essay on “Modes of sign production” has been included into the volume dedicated to Umberto Eco in the Library of living philosophers.

Umberto Eco in the Library of living philosophers

Ultraxy is OUT!

My new album Ultraxy, including works written for Marcel.li Antunez Roca’s Ultraorbism and Alsaxy is out for Solitunes. Every cover album of the CDs is different and generated algorithmic by a modified toy caterpillar. Check it here.

Ultraxy, 1 of 200 covers

Systema naturae at Naturkunde museum

With Mauro Lanza we had the pleasure to play our whole cycle System naturae, including the three Regna plus the premiere of the final episode, Fossilia, at the Museum of Natural Sciences in Berlin on June 19 with the amazing ensemble mosaik. A huge but rewarding amount of work,  surrounded by dinosaurs.

Fossilia at Naturkunde Museum Berlin

Sapir-Whorf vs Boas-Jakobson. Note sull’aspettualità nei linguaggi di programmazione. A seminar

Semiotics/programming language

On May 4th,2017 I’m presenting a seminar on semiotic aspects of programming languages in the context of the seminar cycle by CIRCe of University of Torino, Semiotica dell’aspettualità.

Semiotics/programming language

Musica per un anno out for Mazagran

Musica per un anno

I’m very happy to have my computational implementation of Enore Zaffiri’s Musica per un anno out for Mazagran label. With a two essays by me and Vincenzo Santarcangelo. Special thanks to Riccardo Wanke.

Musica per un anno

Sound Image Space 2017

SoundImageSpace

Here a wonderful video documenting the work I did with colleague Jörg Kiefel and the students in Cologne in the occasion of the DAAD guest professorship in Detmold, winter 2016/17.

SoundImageSpace in Cologne

amkastenrasten 17-22 01 17

amkastenrasten

As the final event of my DAAD guest professorship, we will present with the students an exhibition of multimedia installations at the Passagen Köln, between 17 and 22 jan 17. On Sat 21 I will play at St Michael church live impro with Simone Pappalardo. I’ll bring 12 hacked radios.

amkastenrasten

TheGifer in Turin, 04/11/2016

On Nov 4th I will discuss about animated GIF in the context of  the Gifer festival. I am also one of the judges that had the difficult task to assign the prize.

The Gifer events