Hopeful Monster

AMP2, Hopeful Monster

AMP2‘s Hopeful Monster, inside the 10 CD box set Musica Improvvisa by Die Schachtel.

Gandolfo Pagano: Prepared Guitar, Electronics
Dario Sanfilippo: Laptop/Live Electronics – Feedback Network Based Nonlinear DSP System
Domenico Sciajno: Laptop/Live Electronics – Max/MSP Programming
Antonino Secchia: Percussion Set
Andrea Valle: Rumentarium, a SuperCollider-Driven Electro-mechanical Percussion Set

1. Parent-Explains (12.43)
2. Results (11.57)
3. Monograph (06.39)
4. Natural (11.13)
5. Thousand (04.44)

Here the booklet’s text:

“The biologist Richard Goldschmidt introduced the term “hopeful monster” to indicate an individual of a species showing a relevant mutation in its genes. This mutation makes the individual a “monster”, as it differs from all the other individuals of his species. But, at the same time, it is “hopeful”, as it can lead to a radical discontinuity in the otherwise continuous evolution of the species. Our “Hopeful Monster” presents five excerpts from two long, radically improvised, sessions, where no previous structures of any kind were planned. Indeed, improvisation often tends to be shaped as a sort of continuous, slowly evolving flow. But, from time to time, a mutation happens, leading to unprevisible results. The tracks on the album present five of these hopeful monsters”

(
Q: Yes, but what about the titles?
A: The titles are intended as suggestions for the listener. Each of them is extracted from Darwin’s On the Origin of Species, by retrieving the n word from the text, where n is the duration of each piece expressed in seconds.
)

Press

.Rockerilla, n. 367, p.72, Marzo 2011, Vincenzo Santarcangelo:
Ritmo-centrata anche la performance di AMP2, collettivo che nasce n seno alle esperienze palermitane dell’Advanced Media Pool e dell’Associazione Culturale Antitesi, entrambe creature di Domenico Sciajno. In “Hopeful Monster” lo affiancano Gandolfo Pagano alla chitarra, Dario Sanfilippo e Antonino Secchia al laptop e Andrea Valle a orchestrare Rumentarium, straordinario strumento percussivo diffuso, metà macchina semovente tinguelyiana cstruita con oggetti di recupero, metà saggio applicato di organologia avanzata e tecniche di informatica musicale”

.SentireAscoltare, Stefano Pifferi, 28 Jan 2011:
Dietro Amp 2 troviamo Gandolfo Pagano (chitarra), Dario Sanfilippo, Domenico Sciano, Antonio Secchia (tutti al laptop) e Andrea Valle (percussioni) quintetto che sposta l’asse verso l’impro-elettronica da laptop. Hopeful Monster consta di 5 pezzi in cui l’elettronica riduazionista si fa collage sonoro multiforme, aiutata da una notevole predisposizione al ritmo. Fratturato e frantumato, continuamente in coazione coi live-tronics dei tre pc, trova nella lunga opener Parent-Explains la sua migliore forma.

.AllAboutJazz, Mark Corroto, 27 Jan 2010:
AMP2 also known as Advance Music and Media Pool Palermo is a collective group of musicians that have contributed the most innovative sounds to this project. Hopeful Monster is an engrossing combination of sound both mechanical and electrical that just happens to also find itself being musical. The five musicians—Domenico Sciajno, Dario Sanfilippo, Antonino Secchia, Gandolfo Pagano and Andrea Valle—all administer some variation on laptops or electronics in combination with prepared guitars, feedback or invented percussion devices. Think free improvisation meets Harry Partch . Eccentricity and weirdness is the norm here, with percussive barking electronics and odd little mechanical driven rhythms these five tracks are ultimately satisfying.

. Paris Transatlantic, Autumn 2010, Dan Warburton:
Further south, and across the Straits of Messina, the Advanced Music & Media Pool Palermo, aka AMP2, is a collective featuring, on this particular release, Hopeful Monster, Gandolfo Pagano on prepared guitar and electronics, Dario Sanfilippo on laptop, live electronics, feedback network based nonlinear DSP system, Antonino Secchia on laptop, live electronics and percussion, Andrea Valle on Rumentarium (SuperCollider-driven electro-mechanical percussion set) and AMP founding father Domenico Sciajno on laptop, live electronics and Max/MSP. Not surprisingly, with all that gear, they can make quite a racket. The rough and tumble of the bookend tracks “Parent-Explains” and “Thousand” is fun, but exhausting; individual contributions can be more easily assessed and appreciated in the more spacious pieces (it’s nice to be able to hear exactly how all these impressive-sounding gadgets transform basic sonic raw material). “Results” is my pick of the bunch, but even there the musicians can’t resist thickening the plot by getting busy. It’s well worth checking out though, as is the collective’s earlier outing with Tim Hodgkinson (again), Hums, on Bowindo.

. The Wire, 319, September 2010, p. 57, Julian Cowley:
AMP 2 – a contraction of Advanced Music & Media Pool Palermo – is, on the other hand, just the kind of triple-laptop, percussion and prepared guitar quintet that the project would seem to promise. They too have recorded with Tim Hodgkinson – Hums, issued last year on Bowindo – and while the fizzing, flaring dynamics suggest analogies from chemistry or particle physics they manage to convey an almost tactile presence through sonic abstraction.

. Blowup, 148, Settembre 2010, Stefano Bianchi:
Sono votati invece all’elettronica da laptop gli Amp2 […] che in “Hopeful Monster” scelgono cinque momenti tratti da due session improvvisate “senza alcuna coordinata definita in partenza”, intento che l’affiatamento tra i cinque felicimente vanifica traducendosi in sequenze ‘organizzate’ di elettronica riduzionista dal notevole ‘sentimento’ del ritmo.

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Padua: on Poème électronique

L'anima colta dell'ingegnere

On April 19th, 2013 I’ve been invited in Padua by the local Association of Engineers to speak about Poème électronique, and Xenakis’ role and aesthetics. It was a nice day, with a very interested audience. The meeting was inserted into a series named “The cultivated soul of the engineer”.

L'anima colta dell'ingegnere

Scripta volant

Scripta volant: a sketch

I’ve been invited for the second year by Stefano Maffei and Susanna Legrenzi to participate to the exhibit they curate for the Design Week of Milan at Logotel, called Invisible design. So, I’ve proposed Scripta volant, a small sound install that associates the act of writing to feather jumping through sound. A test video is here.

Scripta volant: a sketch

18-20/3/13 Nic Collins’ Workshop at CIRMA

Intense hacking

As CIRMA I’m co-organising with SMET (School of Electronic Music, Turin) a workshop with Nic Collins, with final concert. Hail hardware hacking! Some pics are collected here

Intense hacking

Imaginary Landscape no. 4

Imaginary Landscape no. 4

On a Cage concert at Conservatorio di Torino (“Changes of Music”) we will premier an automated version of   Imaginary Landscape no. 4. Originally scored for 12 radios and 24 performers, as a collaboration between CIRMA and Politecnico di Torino we have implemented a SuperCollider/Arduino version that automatises it. See here for the whole stuff. Proud of the project and of the crew.

Imaginary Landscape no. 4

“Un paese vuol dire…” mixtape

Un Paese vuol dire...

Gianmarco Del Re has include a couple of tracks from Acta GeoGraphica in his mix tape for A Closer Listen.

Un Paese vuol dire...

A lot of videos of Pseudo

Geganta from Pseudo

Marcel·lì Antúnez Roca has put on line a lot of video materials concerning Pseudo. Be sure to look  here and here. Featured music can be heard here.

Geganta from Pseudo

Machina logotelica, an interview

machina logotelica, an interview

Fabio Sibio kindly extracted for me an excerpt from his beautiful video dedicated to the Making together exhibition for Milan Design Week. I’m saying something about machina logotelica installation here.

machina logotelica, an interview

On Fluid-Radio, 2

TEN CONVERSATIONS ABOUT ONE THING

Nathan Thomas from Fluid -Radio kindly cites my work in his “Ten conversations about a thing“, happy and proud to be there.

TEN CONVERSATIONS ABOUT ONE THING

A video of Dispacci, 01/12/2012

Dispacci dal fronte interno

Dispacci dal fronte interno [Dispatches from the homefront] is a work for feedback system including ad libitum strings, printer and live electronics, that I presented at Sonic Screens, on 01/12/2012.
Audio from strings, printers and environment is not only manipulated live, but some features are extracted and used to control not only the same sound processing but also the real-time generation and print on the fly of musical notation to be performed by the player. In short, the performer receives “dispatches” which content depends on what s/he is playing.

Here a video by Gianmarco Del Re (thanks!),  featuring:

Èdua Amarilla Zádory - Violin
Ana Topalovic – Violoncello

Dispacci dal fronte interno

Sonic Screens 2012

Sonic Screens 2012

I’ll be in Milan on Dec 1/2012 with friend from U.S.O. Project for the 2012 edition of their Sonic Screens. I’ll present Dispacci dal fronte interno, a new piece for violin and cello with printers dispatching notation sheets in real-time in the framework of a feedback system. (who knows what will happen…). The performers will be the Èdua Amarilla Zádory - Violin and Ana Topalovic – Violoncello.

Sonic Screens 2012